After a fast-talking mercenary is diagnosed with terminal cancer, he finds the possibility of healing in a scientific experience of a covert organization. Recovered, with accelerated healing factor and an unusual sense of humor, he adopts the alter-ego Deadpool to seek revenge against the man who destroyed his life (and his face).
A fast-talking mercenary with a morbid sense of humor is subjected to a rogue experiment that leaves him with accelerated healing powers and a quest for revenge.
I enjoyed every minute in this movie. This will become an instant classic and one of the best movies Marvel has made. From the first scene i was blown away. If you are 12 or older i highly recommend you watch this movie. I can't say more without spoiling the movie so go see it. I was at the cinema with my girlfriend and she is not a Deadpool fan, but after she saw the movie she wanted to buy the Deadpool comics to learn more about him. This is how good the movie was. The first 15- 20 minutes of the movie are probably the best intro to a movie i have ever seen. And here is a tip. Stay after the ending credits. You will not regret it.
One of the best aspects of the movie is how it is able to poke fun at the tropes and stereotypes of current superhero movies, while still being an incredibly enjoyable superhero movie. It is delightfully self aware, and packs in more laughs per minute than most comedies.<br/><br/>It is also refreshing to have a superhero movie focus on a morally grey antihero who puts his wants and needs above the greater good, or what is morally right, and have the audience still be able to relate to his motivations.<br/><br/>That being said, it is far from a perfect movie. While it makes some great decisions, such as making it a &quot;Hard R&quot;, and telling the story in a non-linear fashion, there are definitely some flaws that take away from the uniqueness of the film, listed below.<br/><br/>1. Despite the unique concepts, and the satire of superhero movies, the film still suffers from the flaws of many comic book movies, such as:<br/><br/>a) An uninteresting, one dimensional villain. Very generic, bland motivations. He is just evil, and not really much else.<br/><br/>b) A cookie cutter plot. While the non-linear narrative compensates for this, it is still a very traditional super hero origin movie (Guy gets superpowers, girl gets kidnapped, guy saves girl). While it is told in a unique fashion that keeps the attention and interest of the viewer, when reflecting back after the movie, you realize that not a whole lot happened. This relates to the second flaw, namely:<br/><br/>2. The film is not as re-watchable as most superhero movies. The trailers spoil many of the best jokes of the film, and the first 10 or so minutes of the film are essentially just an extended version of one of the trailers. Many of the jokes hit as hard as they do on the first viewing because they are unique and unexpected for the genre, but after the shock wears off, they don&#39;t hold up quite as much upon repeated viewings.<br/><br/>All of that being said though, those are a couple of gripes that are essentially unrelated to the first viewing of the movie. The first time watching the movie these flaws are noticeable, but you don&#39;t care about them because of just how funny and unique the film is. While it is not a perfect film, it is a very important film, as it is a breath of fresh air for the superhero genre, and shows the viability of R-rated superhero movies, or R-rated blockbusters in general.<br/><br/>This film is a must see for anyone of the appropriate age with even a passing interest in comedies, action movies, or superhero movies.
As a vehicle for the impudent comic stylings of Ryan Reynolds, this cheerfully demented origin story is many, many cuts above “Green Lantern,” and as a sly demolition job on the superhero movie, it sure as hell beats “Kick-Ass.”
Lee is the DJ in the strip club. The movie is full of many other Easter eggs and references to other movies and comics. Read a long list here. It&#39;s possible, as a sign of utter contempt, Wade refuses to refer to Ajax by his chosen name. It also adds more humour to the interrogation montage due to Wade getting increasingly frustrated at the fact that he&#39;s not getting answers out of anyone while he&#39;s asking them &quot;Where&#39;s Francis?&quot;. It&#39;s also possible that Wade, not being the most stable individual, knew that the henchman probably wouldn&#39;t know Ajax by his given name and considered their ignorance as a lack of co-operation, giving him an excuse to kill them all. In an interview, Stan Lee revealed that he filmed his cameo in a studio, and was edited into the strip club scene. However, he joked that he was &quot;Damn mad about that…&quot; not because he was edited into a strip club scene but because he wasn&#39;t actually at the strip club. He joked that he&#39;ll insist on being on location for his strip club cameo in the sequel. During closing credits there are cartoon-style animations. There are scenes after the credits. The actual credits themselves that are immediately after the movie, as they were at the start, are part of the post-movie scene but the animations during the opening credits are not cartoon-style. Once ALL of the credits are over, there is a scene at the very end (actually two, second one comes after a short blackout). Read more about it here. For a more detailed description of all extras during and after the credits, go here. Daniel Cudmore, who played Colossus in 3 of the previous X-Men films said he was asked to reprise the role. But he would be CGI the entire time and also they wanted to use another actor&#39;s voice. So, Cudmore graciously passed on the opportunity. Colossus was recast for this film and is more accurate to his comic-book counter-part. Reasoning isn&#39;t given in the film, but Deadpool does make a joke to Colossus about how confusing the timelines within the X-Men franchise are, with different actors playing the same characters., perhaps as a nod to the recasting of Colossus. It has been speculated that Wade belongs to neither the &quot;Stewart&quot; nor the &quot;McAvoy&quot; timeline, since he exhibits awareness of Charles Xavier bearing either of the actors&#39; likenesses, placing Wade in a sort of X-Men metaverse. More likely, the references are part of many times that he breaks the fourth wall—even the &quot;sixteenth wall&quot;. This bit of information coupled with the fact that he is forgetful (at least regarding his bag full of ammo) and nothing about his background is revealed in Deadpool opens the door for a world of possibilities, particularly concerning the effect of his mutation on his brain, but it at least seems unlikely that this incarnation of Wade ever experienced being transformed into Weapon XI (Weapon 11, the 11th Weapon), who was decapitated at the end of <a href="/title/tt0458525/">X-Men Origins: Wolverine (2009)</a> (2009).<br/><br/>Some possibilities (which may not be mutually exclusive) are as follows.<br/><br/>(1) Somehow or for whatever causation mechanics, in the Deadpool timeline, Wade&#39;s parents conceived him (exactly him) in the 1970s, instead of the 1940s like the original timeline. (This is not necessarily unusual in science fiction, since there are a number of stories in which a character travels to a world that experienced an alternate history different from ours by virtue of an event that happened before the same character or a younger character was born, thus ignoring the butterfly effect.)<br/><br/>(2) In any timeline or every timeline, Wade was indeed born in the 1940s or much earlier, but ages very slowly (much like Wolverine) or had served as something of a &quot;winter soldier&quot; (an operative who is placed into cryostasis whenever not on active duty)—skipping forward through time by the implied means or some other means.<br/><br/>(3) Wade is actually &quot;Wade, Jr.&quot; or &quot;Wade 2.0&quot;, whereas the man who became Weapon XI in the original timeline (or even the Deadpool timeline for that matter) was his biological father who looked just like him or even an individual from whom he was cloned.<br/><br/>(4) X-Men Origins: Wolverine has been retconned once again (for the second or third time, the 2½th time) and in such a way as its events never occurred in any canon timeline, or an &quot;oversight&quot; took place (again).<br/><br/>(5) Deadpool as a whole is merely a tongue-in-cheek fest that happens to have very dark thematic elements, not to be seriously treated as as part of or adjunct with the X-Men movie continuity. While the breaks of the fourth wall (of which many references are apart) in Deadpool may not be meant to be taken as anything other than a sort of a comedic Chorus, it would seem that Wade only begins making out-universe/world-beyond references (which are not even necessarily through the fourth wall) after having undergone the procedure to rid him of cancer, whereupon he started developing memory problems. As such, in addition to his brain being messed up and his mind disheveled, he may have developed some kind of low-level interdimensional perception. The star, Ryan Reynolds, is not exactly a stranger to this, as he played an interdimensional being before, in <a href="/title/tt0810988/">The Nines (2007)</a> (2007). It&#39;s possible that the script for Deadpool was hinting at it with Wade&#39;s &quot;sixteen walls&quot; (four walls compounded) remark. However, by virtue of the opening credits and title cards, the movie itself is self-referencing, which obfuscates the nature of Wade the protagonist. Also, the interdimensionality is not a previously established ability of Wade&#39;s own, such as in the comic book lines on which the movie is based. Lastly, there is the matter of the Weapon XI action figure, but for all the audience knows, if the toy physically exists in Wade&#39;s world, Wade dreamed of Weapon XI itself (in a nightmare, of course) and molded a miniature of it himself.
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